Tuesday, September 29, 2009

show us where you're publishing



















show us where you're publishing


the thing is / i have been writing some
& if so inclined cd mic those thoughts
across / & blow your mind

wrote a poem just last night
& not just anything
bt one-a those damn-i-just-gotta
read-this-to-somebody-it
just-might-be-genius pieces:
yoko ono wz always gonna be a problem
it’s called
see / i cn tell yd dig it
just from watching you
digest the title
i wd like to broadcast it
bt here’s the thing:

the centre’s been looking
for poets to tour again
where r you publishing
show us where you’re publishing

they're asking

packing bars / & radio waves
doesn't seem to mean a thing
they just want to see the paper
where r you publishing your poems
as if all that matters is print destination
& not that almost a hundred people
wd brave horizontal rain to get to
somewhere you’re doing your thing
on stage

i wanna give you a poem / bt
i’m broke & it’s that time of year
again / when every god forsaken writer
in this place / comes
shaking the tin & fillin those
applications / i wd like
to be able to give you
a poem / bt my child
is hungry

& once again those folk
are saying
without saying it:
that thing you do
nah / you serious
don’t even come knocking


photo (c) Michael Reynolds, 2009.

Monday, September 21, 2009

gil scott heron is on parole















revolution
gil scott heron / is on parole
revolution
gil scott heron / is on parole
revolution

gil scott heron / is on parole
gotta be true / i
heard it from reliable radio

we last saw gil tryin to flee the country
the revolution packed flat
between bank note wads / zipped
claustrophobic in navy canvas tote
what in the hell wz gil scott thinkin
with that feisty revolution hollerin
like beelzebub broke loose
oh gil / what were you thinkin
of course the cops were gonna notice you
the revolution wz screamin
lemme outta here gil scott
i swear / progress is bein made
aint it progress: a black man
headin for that white house over yonder
lemme loose godammit gil scott
i wanna witness it
the revolution said

believe it
gil scott heron is on parole
believe it
gil scott heron: oooh yeah: parole

shut the fuck up
gil told the revolution
cz brother that false bravado is tired & old

revolution

gil scott heron is on parole

here comes gil
kanye / elephunk & missy feat timbaland
will be exposed
a new cradle full of brown boys
will finally be allowed a soul
cz brothers & sisters
gil scott heron is on parole
hz sorted out his shit
& all last night wz in his studio
glory be / all our sons & daughters
cn now swing low / hold on tight
little pickneys / cz here comes brother gil
to carry y’all home

lift needle from the turning table

revolution

hush the crowds
& mic the phone

revolution

bring the djembe
snorin in the store room
& please somebody dust off the throne

ain’t nobody heard the news

revolution

gil scott heron
is coming home

Saturday, September 19, 2009

judge not the judges, lest you become judge

So, you know how a month or so ago I threw a massive sooky hissy fit about not getting a place in Poetry Idol, the Melbourne Writers Festival poetry competition (insert sheepish grimace). You know how I seriously disagreed with the judging choices made during in the Box Hill library heat, and wasn’t shy about umm...ranting about it (insert second sheepish grimace). You know how I was going to stop slamming* and the whole world came tumbling down (insert dramatic eye roll)...

Well in an odd twist, my dear friend, unofficial mentor and literary hero, Melbourne poet TT.O (Pi.O) has asked me to judge the Northern Notes Writers Festival Poetry Slam this coming November in Northcote. I’m chuffed. Seriously chuffed. This slam and I have a great relationship: last year I was the title holder and the previous year I placed second. So it’s kind of a nice progression. I said yes without even really thinking about it, then woke up last night it a bit of a sweat, realising how difficult it’s going to be.

I judged a page poetry competition about five years ago. It was a university competition, and I co-judged it with another, more established poet. We never met up, but corresponded by phone, and both came to much the same conclusion. There were three stand-out poems from a not particularly impressive batch, and one was the clear ‘winner’ which only really left us to decide between second and third place. The poems were blind assessed and I still remember the first line of the winning poem: Byron Bay, you’re impossibly good-looking...

When I turned up to the award ceremony, it turned out that a good friend of mine at the time had written both the winning poem and the third place poem. I’ve always felt slightly uncomfortable about this, despite the fact that it was only revealed to me when the names of the winning poets were read out. When the second place winner came to the mic to read her work, she completely destroyed the poem: massacred it with a dull whining reading of what should have been a light, lively piece about childhood nostalgia. I seriously wanted to rush the stage and snatch away the cheque.

Perhaps assessing spoken word won’t be as easy as it might seem, though I’ll have my able co-judge, extraordinary spoken word poet Sean M Whelan, to bounce off. This is, perhaps, the only thing that allowed me to fall back asleep last night.

But what if, despite my best judging efforts, I become the subject of warranted or unwarranted**disgruntled rants about my decisions? Lord, this surely must be some kind of odd karmic equaliser...no prizes for guessing the lesson learnt here. The slam Gods must be truly splitting their sides.

*Okay, that might have been a bit over-the-top, but let me just point out that I’ve only attended one poetry slam since, and have totally justified my reasons for doing so. Although I covered the Overload Poetry Festival slam as a reviewer, I did not participate as a slammer! Hopefully this at least restores a little of my credibility.

**NB: mine were totally, completely, one hundred percent warranted.

To find out more about TT.O, you can read my personal tribute to him here (warning, it gets a little soppy), or Melbourne writer Alec Patric’s tribute to him here.

Wednesday, September 16, 2009

mama reggae






















mama reggae



she sing all hail mama reggae
& her ample hip sway
vibrate de dance floor
mama jiggles big
down de bootie corridor
it’s four in de morning
& mama reggae wants de floor

fourteen black stone
a kettle drum beat
kickin back de revellers
widdem cheeky bunion feet
afro like-a halo
crownin de dance queen
she sing all hail mama reggae

& de youngsta crowd
shuffles back te si dem
muscly calves like-a
james brown dream
dat limbo back an
double jointed knees
her ample hip sway
vibrate de dance floor
mama jiggles big
down de bootie corridor
it’s four in de morning
& mama reggae
wants de floor



On Sunday night, I performed as part of Overload Poetry Festival’s Overload Allstars event at the Northcote Social Club in Melbourne. Other performers on the night were slam champion and Melbourne poet Geoff Lemon, Aboriginal poet Ali Cobby Eckerman, who has been described as the ‘voice of the stolen generation’, and African American jazz poet Lewis Scott (over from New Zealand, where he now resides). The night was a blast, the highlight for me being a surprise contingent in the audience from CaribVic, the Caribbean Association of Victoria, who had read my recent essay in Overland magazine, and trekked along to find out what I was all about. Thankyou sisters - hope you had a wonderful evening.

I also performed a set at the Surprise Showcase on the closing night of the festival, which included the above poem. At the awards ceremony after the showcase, I was nominated for the Festival’s ‘best performance’ award for my set, which was an absolute honour, given there were over 35 readings during the ten day festival. I lost the award to Lewis Scott, a phenomenal poet and performer, widely published poet and more than worthy recipient. The wonderful photograph was taken by Melbourne poet and photographer Michael Reynolds during Overload Allstars. You can also read review of my sets by Koraly Dimitriadis and Alec Patric on the Overland blog. I'm a bit sheepish about the reviews because I was co-ordinating the blog and know both of the reviewers. I swear to god that no money or other bribes changed hands. Though I can't swear it never crossed my mind...


Sunday, September 6, 2009

overloaded



It's the longest time I've gone without blogging for a while but folks, there's good reason. I'm over managing, and writing for the blog for Overland Literary Magazine for two weeks, after pairing the publication with a poetry festival here in Melbourne called the Overload Poetry Festival, which I'll be performing at on Wednesday.

If you have a chance, please come on over and check out the amazing and poetic things that are going on as part of the festival: it's a great place to leave your tracks. You can also click on my photo on the home page of the site to be taken through to an article of mine: "The Unbearable Whiteness of Beauty," which was published in the lastest issue of Overland two weeks ago, and also picked up and re-printed in part by the Age, a national newspaper here in Australia.

Exciting times for me, but I hope to be back with some more poetry here soon. Blogging here is so much more fun. I'm totally beat :( Thankyou for sticking with me, and come on over!